IGNACIO ITURRIA x ARTSY

Invited by ARTSY, this great initiative's goal is to create content with artists highlighting how they are enduring this unique situation, bringing their voi...

How does art keep you going during difficult times? 

Art has kept me present. To me, nothing has changed. For me, painting is isolation in a way, and it's what i have done all my life. Now that I see the current situation, I realized I've been in isolation all my life. When I've travel, I lock myself up and paint; it's what I've always done. So, present times have not altered my pictorial rhythm.

How has your art practice been affected by self-isolation?

Same answer as the first, this self isolation is what I've always practiced and even recommended. To me, It is a way to learn to be with yourself, always thinking that what you're doing is a discourse for others, and is a way of living without the anxieties of rapid communication. It's a communication where one can practice and reflect on the discourse before expressing it to others.

How are you staying creative?

Well, the same way. I sleep, I paint, I sleep, I paint. I don't see anything too weird about it. The weird thing of these times is the appearance of a virus; the one I find more relevant the one virus germinated on TV. The TV is virulent, It's the most contagious of all. In any idle moment I turn on the TV there is always these images that slowly burn into my retinae, and then in my conscious and my subconscious, and little by little these will find their way into my painting. Some elements have surfaced already, but it's important to digest all of what is happening well at first, and then we'll see how it reemerges in what we are doing. 

Are you creating new work while social distancing?

Actually, I keep doing the works I was doing. The present times have done some sort of parenthesis; people are not as eagerly calling to the galleries, no rush from museums, nor agitation from art-fairs... everything has slowed down. So, my artists friends and I are in a strange position: All this nervousness and adrenaline evaporated. I just spoke to a friend of mine who was about to exhibit in Washington (and who is really sad it is not longer happening) , whereas I am celebrating not having to enter the voragine and nervousness of the exhibitions I had planned this year. All the preparations, flights, being there... all those things that are not my favourite part of painting. Now I am enjoying quietly like a child who has the justification not to go to school.

Ignacio Iturria Untitled, 2019 Acrylic on canvas 39 2/5 × 51 1/5 in 100 × 130 cm

Ignacio Iturria
Untitled, 2019
Acrylic on canvas
39 2/5 × 51 1/5 in
100 × 130 cm

Who are some other artists you are moved by right now? 

There are artists that always touch me, I can't see why it has to be in his precise moment. I haven't spoken with many of them, I don't know the situation they are in. Well,
I am touched by art in general, almost anyone who paints and specially by people who have been painting for longer than 10 years; one can sense the seriousness of what they are doing and whose work always gives us something to dwell on, to be touched by. Even the person who even trying to do it well hasn't found a message or something interesting is touching, because there is a sort of drama that is also valid and interesting. 
 

How are you staying in touch with your community or supporting other artists?

In the Iturria Foundation there is an art school with several teachers who keep teaching remotely online, and at some point I will be there too. I have also been asked by the Chancellery to send messages, which is not what I planned to do (because I haven't found my way around it) but regardless of my slow pace I will do it in the future.
 

What work of art in your home means the most to you?

I have a painting by Carlos Federico Saez, a very important painter in Uruguay, a virtuoso who died too young. By familial coincidence, I inherited the small painting, a landscape of Florence from the time he was living in Italy. After that, there's a painting of mine, a gigantic Willow plate in the dining room (that the family says we can't sell) which is about 2 meters by 1.3 meters and is already one with the space, a part of all the pictures of family gatherings.

Ignacio Iturria El Lobo, 2017 Acrylic on canvas 72 × 68 in 182.9 × 172.7 cm

Ignacio Iturria
El Lobo, 2017
Acrylic on canvas
72 × 68 in
182.9 × 172.7 cm

 

ESPACIO VIVO: LO NUEVO, EL RETORNO, LO INESPERADO

Espacio Vivo: Lo Nuevo, El Retorno, Lo Inesperado.

La Galería de Arte Contemporáneo Lyle O. Reitzel, fundada en 1995 y con sede en N.Y. celebra sus 23 años de trayectoria ininterrumpida en la escena nacional e internacional con un impactante show colectivo titulado “Espacio Vivo: Lo nuevo, el retorno y lo inesperado” en su sede principal en Santo Domingo el próximo 23 de noviembre 2018.

La exhibición reúne un cuerpo de obras inéditas de artistas de múltiples estilos, generaciones y procedencia geográfica.

Los Bravú, “Retrato de chica con gorra”, 2018. Vinyl acrylic on Arches 300gr paper 29 x 22 in.

Los Bravú, “Retrato de chica con gorra”, 2018. Vinyl acrylic on Arches 300gr paper 29 x 22 in.

Lo Nuevo es representado con la propuesta emergente del fantástico dúo español “Los Bravú”, conformado por Dea Gómez (1988) y Diego Omil (1989) y establecidos en Pontevedra, quienes desarrollan una carrera ascendente con un lenguaje muy particular, influenciados por la iconografía renacentista Italiana con elementos contemporáneos. Al mismo tiempo se suma el reconocido artista Jesús Zurita (Ceuta, 1974) quien vive y trabaja en Granada, de una obra narrativa, con gran atención sobre la composición del plano pictórico y la relación entre las imágenes; por lo que no es de extrañar que el cine, la animación, el cómic y la literatura sean manantiales que le proporcionan caudal.

Gustavo Acosta, “Gliding” Acrylic on Canvas, 67×67″.

Gustavo Acosta, “Gliding” Acrylic on Canvas, 67×67″.

El Retorno del artista cubano Gustavo Acosta (1958) es significativo y un gran aporte al show con sus obras enigmáticas donde la arquitectura funge como símbolo y sus patrones geométricos se instalan en la memoria colectiva. En el territorio de Lo Inesperado es protagonizado por el laureado artista dominicano Juan Mayí (1963), tan explosivo e irreverente como sus experimentaciones abstractas.

Juan Mayí, X from the series “Memoria Sígnica”, 2015. Oil on linen. 203 x 203cm.

Juan Mayí, X from the series “Memoria Sígnica”, 2015. Oil on linen. 203 x 203cm.

Se integran así mismo los íconos cubanos Luis Cruz Azaceta (1942) y José Bedia (1959), el Maestro uruguayo Ignacio Iturria (1949), ganador de la Bienal de Venecia, Edouard Duval-Carrié (1954, Haití), reconocido recientemente con el premio Ellie Michael Richards otorgado por Art Center/South Florida, y Santiago Ydáñez (1969, Jaén), ganador del Premio de Pintura BMW 2018. Como contraparte dominicana se suman José García Cordero(1951), Raúl Recio (1965), Gerard Ellis (1976) y Gustavo Peña (1979). Por último, se reintegra a LOR Gallery el gran artista contemporáneo Walter Iraheta (El Salvador, 1968) un comeback muy esperado, presentando su nueva serie de dibujos en papel “Gente Armada”.

Jesús Zurita, “Amanece”, 2009 Acrylic on Linen.200 x 200 cm

Jesús Zurita, “Amanece”, 2009 Acrylic on Linen.200 x 200 cm

LOR Arte Contemporáneo  es el reflejo de un trabajo incansable y sistemático que inicia hace 23 años, fomentando el desarrollo de la carrera de artistas dominicanos, caribeños e iberoamericanos de vanguardia, desde República Dominicana hacia el mundo, con coherencia y una selección impecable, utilizando como herramientas básicas un ojo crítico, la intuición y un gusto particular que trasciende modas y tendencias, descubriendo nuevos talentos emergentes y apoyando un importante grupo de artistas multigeneracionales al elevarlos al nivel de sus pares en otras latitudes e integrando sus obras al coleccionismo internacional privado e institucional.

En el período 2006-2010, afianza su presencia en el mercado internacional abriendo un nuevo espacio en Wynwood Art District, y en junio 2016 inaugura su sede en Nueva York con el solo show “Tales From the Caribbean Nights ” del artista dominicano José García Cordero.  

Ha organizado innumerables exhibiciones en Museos, Instituciones y Galerías alrededor del mundo, participando también en algunas de las más prestigiosas ferias de arte internacionales como: ARCO, Madrid; VOLTA, New York; CONTEXT Art, Miami; Art Miami, CONTEXT New York, ARTE BA, Buenos Aires. PULSE Miami; SCOPE New York, SCOPE Miami’, PINTA, Londres, PINTA, New York; ZONA MACO, México; MIART, Milano; KIAF, Korea, entre otras.

 

Espacio Vivo: Lo nuevo, el retorno y lo inesperado.

Apertura: 23 Noviembre, 2018

Duración: 7 – 10 PM

 

Lyle O. Reitzel Gallery Santo Domingo,

Gustavo Mejía Ricart esq Abraham Lincoln

Torre Piantini, Suite 1A