ESPACIO VIVO: The New, The Comeback, The Unexpected.

Lyle O. Reitzel Gallery founded in 1995, celebrates 23 years of uninterrupted trajectory representing the national and international contemporary art scene. LOR Gallery introduces their new collective show titled “Espacio Vivo: The New, The Comeback, The Unexpected” in their Santo Domingo headquarters this 23rd of November, 2018.

This exhibition comprises of a body of work composed by several artists of different backgrounds, style and generations.

The New is represented by the emerging Spanish Duo “Los Bravú”. Dea Gómez (1988) and Diego Omil (1989) established in Pontevedra, Spain. The artists came together to create a unique language influenced by Italian Renascentist iconography juxtaposed with contemporary elements. In addition, renowned artist Jesús Zurita (Ceuta, 1975) established in Granada, Spain, introduces pieces defined by his attention to detail and his relationship with images and media, which is why film, animation, comics and literature are key items in his work.

The Comeback of Cuban artist Gustavo Acosta (1958) solidifies the show with his enigmatic compositions in which architecture, symbolism and abstract imagery trigger the spectators collective memory. Starring The Unexpected is Dominican artist Juan Mayí (1963), whose explosive and expressive brushstrokes complement his experimental abstractionism, resulting in captivating artwork.

Los Bravú VR Trastévere, 2018, Vinyl acrylic on Canson Montval 300gr paper, 59 8/35h x 52 17/36w in

Juan Mayí Untitled, 2018, Oil on canvas, 79 19/36h x 79 19/36w in

Ignacio Iturria Secretos, 2016, Acrylic on canvas, 60h x 72w in.

Gustavo Acosta Deep Throat, 2006, Acrylic on canvas, 96h x 70w in

Walterio Iraheta De la serie Gente Armada, 2018, Pencil on Acetate

Santiago Ydáñez Galgo, 2015, Acrylic on canvas, 78h x 118w in

Gerard Ellis Good Boy III, 2018, Mixed media on canvas, 40h x 67w in

Tania Marmolejo This Party Is Over, 2011, Ink and acrylic on paper, 42 x 45 In

Jesús Zurita Arquitectura Basal, 2018, Acrylic and Ink on linen, 200 x 200 cm

Inés Tolentino La Marcha de las Coronelas, 2018, Acrilico en tela, 59 x 47 in

Victor Rodriguez Double Kara, 2017, Acrylic on linen, 96h x 68w in

José García Cordero Había una vez un barquito chiquitico, 1997, Acrylic on linen, 200h x 200w cm

Luis Cruz Azaceta A Question of Black & White 303, 2017, Acrylic on canvas,48h x 96w In

Los Bravú Venus, 2018, Vinyl Acrylic on Canson Montval 300GR Paper, 25h x 59w in

José Bedia Having fun on instagram, 2014, Mixed media on Amate paper, 48h x 94w in